Below are details about the sessions Nick and ViacomCBS execs will be taking part in, along with their bios. CMC 2020's full timetable;e is available online at https://www.thechildrensmediaconference.com/.
International Exchange
Thursday 2nd July 2020, 8:00am - 8:00pm BST
Meeting Mojo
Read session preview
The International Exchange is a must for anyone looking for international sales, partnerships or project funding. The International Exchange plays host to a wide range of broadcasters, co-producers, funders and investors from across the world keen to meet sellers of content and services.
Guests include: Elliot Palmer, Nickelodeon International; Anna Silver, Nickelodeon UK; Louise Burgess, Channel 5
See the full list of confirmed UK and international commissioning and acquisition guests here
More information on the International Exchange here
The International Exchange requires a separate ticket to the main CMC conference. Ticket sales for this event are now closed.
Confirmed UK and international commissioning and acquisition guests include:
Elliot Palmer, Nickelodeon International
Anna Silver, Nickelodeon UK
Louise Burgess, Channel 5
SkillBuilder: Pitch Yourself Perfect!
Monday 6th July 2020, 2:00pm - 3:30pm BST
Zoom
Build, develop and refresh your skills with the CMC SkillBuilder – a mix of advice and hands-on learning.
With top tips from industry experts, including insights on how to approach different genres and platforms, and guidance on developing your project bible, SkillBuilder gets delegates close to expertise at the heart of the international children’s entertainment business.
These video conference ‘round table’ sessions will help you take your pitch to the next level with a deeper dive into preparation, technique, materials, pitch bibles & International pitching opportunities. This is a unique opportunity to get advice on pitching to commissioners, networks, platforms, senior writers, producers and distributors from the SkillBuilder expert panel, and receive invaluable personal feedback & guidance on your ideas, techniques & concepts from those who know the recipe for success.
This special standalone workshop requires a separate ticket to the main CMC conference and is now sold out.
This event is supported by the ScreenSkills Animation Skills Fund and Children’s TV Skills Fund, thanks to contributions from the UK industry.
Panellists include: Lynsey O’Callaghan (Expert), Viacom International Media Networks; Louise Bucknole (Executive Producer), ViacomCBS Networks International
Question Time: Right Now and What’s Next?
Tuesday 7th July 2020, 11:00am - 12:00pm BST
CMC Online Platform
Sponsored by: Nickelodeon
CMC’s familiar opening Question Time explores the strategic questions around kids and content – how policy and regulation impact on media-makers and how this serves the children’s and youth audience. This year we also take a leap into the future to consider where kids and the kids’ media industry will be as we emerge from the pandemic. How is life going to change in the next year and beyond for the children’s industry and children’s media lives? What are the opportunities and challenges for all those involved in kid’s media: creators, educators, regulators, broadcasters, and of course the needs of, and implications for our young audience?
Panellists include: Russell T Davies (Speaker), Writer and Producer (Doctor Who)
Commissioner Conversations: PSBs
Tuesday 7th July 2020, 2:00pm - 3:00pm BST
CMC Online Platform
Sponsored by: Tiger Aspect
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Ask questions directly to commissioners from Channel 4, BBC Children’s, CITV, Milkshake! and S4C. Find out what the Lockdown means for their commissioning process, what’s good as well as bad about the current situation, what are the opportunities for fast turnaround programming and how do they see the next 12 months playing out including their relationship with YACF funding.
Panellists include: Louise Bucknole (Speaker), ViacomCBS Networks International
The BFI YACF: Success, Learnings and the Future
Wednesday 8th July 2020, 11:00am - 12:00pm BST
CMC Online Platform
Sponsored by: Fourth Wall Creative
Launched in October 2018, the Young Audience Content Fund is a three-year program that will provide up to £57 million in development and production funding to UK original public service content. In a period of unprecedented disruption, the fund could provide an avenue of much needed support to the UK industry.
In discussion with the Head of Fund and panellists spanning the breadth of the awards, including PSB broadcasters to independent producers, we discuss what has been achieved so far, the experience of the process and the lessons learnt along the way.
This forum will provide an opportunity to dive into how the fund is evolving one year in amid the current pandemic, how this will shape future decisions and the aspirations going forward from the fund itself but also those that have to apply.
Panellists include: Louise Bucknole (Speaker), ViacomCBS Networks International; Kelly Wood (Producer), Nickelodeon UK & Ireland
Commissioner Conversations: Channels
Thursday 9th July 2020, 2:00pm - 3:00pm BST
CMC Online Platform
Sponsored by: A Productions
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Find out what’s new from some of the world’s biggest commercial kids’ broadcasters. In an extraordinary year, we’ll hear what’s been working for them, what they’re looking for next and how best to approach them.
Angela Morrow, producing the CMC Commissioner Conversations with Nickelodeon and Cartoon Network, wants to encourage you to attend and ask questions!
In a year of unprecedented challenge and change for the industry we can all take a modicum of solace from the perennial presence of the CMC Commissioner Conversation – Channels panel.
You may be a new creator, an industry veteran or somewhere between the two. Wherever you are along that road, you’ll want to hear what these highly experienced commissioners have to say. They are the conduit between creator and audience and their insights are invaluable in plotting the route from idea to screen.
Discover how WarnerMedia and Nickleodeon have risen to the challenge of keeping kids entertained in lockdown and what new content they have yet to come. Find out what opportunities they have for new collaborations and commissions and how best to approach them with your amazing idea.
This year the ever popular CMC Commissioner Conversations – Channels panel is taking place right there in your home office or at your kitchen table. You already have a front row seat, so pour yourself a coffee and submit your questions via the Question button, we’ll ask as many as we can.
This session includes a presentation by Changemaker Lucy Edwards, Presenter and Disability Rights Campaigner.
Video on Demand 2020
Panellists include: Nina Hahn (Speaker), ViacomCBS Networks International
Put Your Money Where Your Mouth Is
Thursday 9th July 2020, 4:00pm - 5:00pm BST
CMC Online Platform
Sponsored by: Enterprise Ireland
Put Your Money Where Your Mouth Is is the only pitch competition with real-world outcomes. Dragons enter the “den” with a fund to buy options in the projects they decide to support, and deals on short development windows are done on the spot. The pitchers get great feedback and the audience learns what works and what doesn’t – while also seeing into the mind’s eye of funders.
Panellists include: Nigel Clarke (Host/Moderator), TV Presenter; Jules Borkent (Speaker), Viacom CBS Networks International (VCNI)
Animation Assemble!
Friday 10th July 2020, 11:00am - 12:00pm BST
CMC Online Platform
Sponsored by: Animation UK
The Coronavirus Pandemic has caused unprecedented disruption and concern in virtually every sector across the globe, from education to hospitality, and has halted almost all film and television production. With animation one of the few sectors to remain in production throughout lockdown and resilient to further disruption, “Animation Assemble!” will ask: what are the opportunities in the animation industry today?
This forum features a range of panellists from across the animation industry, and will discuss the real issues facing studios – of all sizes and locations.
An essential panel for those across the animation sector, the panel will dive into questions such as; will we see more animation commissions, how will we compete in the newly competitive global market, and can animation commissions reflect the lives of young people today?
Panellists include: Chris Rose (Speaker), Nickelodeon
LGBTQ+ Now
Video on Demand 2020
Read VoD preview
Perspective On… LGBTQ+ Now has a CMC Facebook Group Chat area for discussion, questions and comment during the conference.
This discussion brings together creatives, broadcasters and policy makers to consider LGBTQ+ storytelling now. How is the latest content paving the way for authentic representation and empowering self-expression for a new generation? And how do we pledge to increase the volume of authentic LGBTQ+ storytelling?
Panellists include: Eryk Casemiro (Speaker), Nickelodeon; Olly Pike (Speaker), Pop'n'Olly.
Angela Santomero
Video on Demand 2020
Angela was a TV kid. She was that preschooler who couldn’t sit closer to the television when ‘Mister Rogers’ Neighborhood’ was on. Mister Rogers spoke to her. Her inner child is delighted with how grown up Angela had the opportunity to bring ‘Daniel Tiger’s Neighbourhood’ to a new generation today.
Inner Child Angela vowed to bring kids into the experience in an “interactive” way! And grown up Angela does just that as she plays with her favourite shows – talking to the TV, singing along, or acting out the stories.
Bios:
Lynsey O'Callaghan
Director of International Content Acquisitions and Pre-school Current Series, Viacom International Media Networks
Lynsey joined Nickelodeon from BBC Children’s 13 years ago, and sits as Executive in Charge across Nick International Pre-School properties, and has worked on hundreds of episodes for series including: ‘Becca’s Bunch’, ‘Zack & Quack’, ‘Puffin Rock’, ‘The Day Henry Met’, ‘Wissper’, ‘Lily’s Driftwood Bay’, & ‘Digby Dragon’. She’s currently overseeing ‘The Adventures of Paddington Bear’ ‘Calvin and Kaison’s Play Power’ with Nick Australia and ‘Deer Squad’ – Nickelodeon’s first ever Chinese original series. Lynsey also handles acquisitions deals for the U.K., and sits on Nickelodeon’s International Programming Council.
Louise Bucknole
VP, Programming Kids, VCNI UK & Ireland, ViacomCBS Networks International
Louise is a kid’s content strategist and commissioner with over twenty years’ channel management and creative leadership experience.
At VCNI, Louise is the Kids content lead in the UK and responsible for leading all strategic, editorial and operational aspects for the Nick Network including Nickelodeon, Nicktoons, Nick Jr. and Nick Jr. Too channels and Milkshake! on Channel 5, including commissions, acquisitions, programming, multiplatform, production and development and sits on the Nickelodeon International Programming Council. Louise also works with the commercial, consumer products and events teams to grow the brands and ensure best in class activations. Commissions and acquisitions include ‘Peppa Pig’, ‘Horrid Henry’, ‘Find Me In Paris’, ‘Milkshake! Monkey’, ‘Thomas & Friends’, ‘Mimi’s World’, ‘Meet The Experts’, ‘Pip & Posy’ and ‘Daisy & Ollie’.
Prior to joining VCNI, Louise was Director of Programming, Disney Channels UK & Ireland where she was responsible for leading all aspects of content strategy, planning and editorial operations for all linear, non-linear and VOD services, ordering all Disney Channel, Disney Junior and Disney XD content. Commissions included ‘Goalmouth’, ‘First Class Chefs’, ‘Art Attack’, ‘Furry Friends’ and ‘Access All Areas’.
Louise previously worked as Head of Scheduling, BBC Children’s where she oversaw content strategy for CBBC, CBeebies, the children’s blocks on BBC One, BBC Two and the iPlayer. Prior to that she was Senior Manager, Programme Planning for Disney Channels UK & Ireland, and formerly as Channel Editor and Scheduler for CITV, where she was part of the team that launched the CITV channel. Louise started her career at ITV in production, as a Production Co-ordinator, Researcher and Producer in Children’s for eight years.
She is a member of RTS, BAFTA and sits on the ScreenSkills Children’s Council, the Children’s Media Conference Advisory Committee and the YACF Strategic Advisory Group.
Kelly Wood
Director, Programming, Nickelodeon UK & Ireland
Kelly is a passionate content strategist with over a decades experience in TV, research and marketing.
Kelly is the Director of Programming for Nickelodeon, responsible for the Nick Network in the UK and Ireland including Nickelodeon, Nicktoons, Nick Jr. and Nick Jr. Too channels. As an editorial lead for Nickelodeon content across linear and non-linear platforms, Kelly is responsible for communicating priorities and developing innovative content strategies to drive the performance and brand health of the nickelodeon channels.
Kelly is a trained researcher and prior to moving into programming was responsible for insight and analytics at Nickelodeon. In addition to stints at Channel 4, as part of the team responsible for concept testing for the Comedy and Entertainment slate, and OMD UK, working on B2C brand tracking and evaluation.
Nina Hahn
Senior Vice President, International Production & Development, Nickelodeon International, ViacomCBS Networks International
As Senior Vice President, International Production & Development, Nina Hahn oversees international content development and co-production partnerships for Nickelodeon outside of the US. Based in London, Hahn coordinates and drives the development process, spearheading new production models, managing productions from pilot through to series, and working in direct partnership with Nickelodeon’s content teams around the world.
Jules Borkent
EVP, Kids & Family, Viacom CBS Networks International (VCNI)
Jules Borkent is Executive Vice President, Kids & Family for Viacom CBS Networks International (VCNI). In his role as brand lead for Nickelodeon International, Borkent is in charge of all aspects of content and business operations, overseeing brand and content management and strategy, acquisitions, production development, creative, and multiplatform for Nickelodeon branded channels and platforms internationally.
Prior to Borkent’s current role, he was Executive Vice President, Content and Network Strategy for Nickelodeon International, a role he assumed January 2017. Previously, Borkent was Senior Vice President of Global Acquisitions and International Programming, Nickelodeon, Viacom International Media Networks (VIMN), which he assumed in 2008. In both roles, Borkent was responsible for leading global acquisitions for Nickelodeon, as well as programming strategies for Nickelodeon International. In close alignment with Nickelodeon U.S., Borkent established the international programming council, which he continues to oversee in his current role. Borkent also continues to manage a multi-million-dollar content investment across kids and family programming.
Prior to that, Borkent was Vice President of Programming for Nickelodeon International, based in London. He was responsible for Nickelodeon’s global programming and acquisitions strategy, with an emphasis on liaising with local programming heads to coordinate and develop pan-regional deals for Nickelodeon’s localized channels across Europe. In addition to acquisitions, Borkent also managed programming activities for Nickelodeon’s international channels.
Borkent joined Nickelodeon in 1998 as the Director of Programming and Acquisitions for Nickelodeon Europe and Africa where he was responsible for local acquisitions and various pan-regional programming initiatives and productions.
Born in The Netherlands, Borkent holds a Master’s Degree in English & Literature from University of Nijmegen, Netherlands. Borkent lives in New York City.
Chris Rose
VP of Animation Production and Development, Nickelodeon
As VP of Animation Production and Development, Chris Rose heads up animation development and production for Nickelodeon International. In addition to identifying and developing new IP for Nick Toons, Nickelodeon and Nick Jr, Chris works across Nick International’s original animated content production slate and manages the international component of the animated shorts programme.
Chris previously ran the development and production arm of London’s Beano Studios and served as TV Commissioning Editor for ABC ME and ABC KIDS, ABC Australia’s children’s channels.
Eryk Casemiro
SVP Preschool, Nickelodeon
Eryk Casemiro is Senior Vice President of Nickelodeon Preschool, in charge of the network’s preschool production and development across all formats and platforms spanning digital, TV and film. Based in Nickelodeon’s Burbank, Calif., headquarters, Casemiro manages the day-to-day operations of Nick’s preschool group, with creative and business oversight of the preschool Executives In Charge (EICs) on both the east and west coasts.
Eryk is an Emmy® Award-winning producer that will continue to serve as an executive producer for Nickelodeon’s forthcoming reboot of the iconic kids’ series, ‘Rugrats’, which will include all-new adventures with fan-favorites Tommy, Chuckie, Phil, Lil, Susie and Angelica, and introduce a new world of characters. A Rugrats alum, Casemiro was a producer on the original series during his time as Senior Vice President of Creative Affairs at Klasky-Csupo Productions.
While at Klasky-Csupo Productions, Casemiro was also responsible for the development and production of beloved Nickelodeon shows such as ‘The Wild Thornberrys’, ‘Rocket Power’, ‘As Told By Ginger’, and ‘All Grown Up!’, earning the studio three Ark Trust Awards, four Humanitas Awards, 10 Emmy nominations, and an Emmy Award. He also led the development and production of feature films for Paramount Pictures including ‘Rugrats Go Wild’, ‘The Wild Thornberrys Movie’, which earned an Academy Award nomination for Best Song, ‘Rugrats in Paris: The Movie’, and ‘The Rugrats Movie’.
Nigel Clarke
TV Presenter
Nigel Clarke is a TV presenter and performer, best known for his work on The Baby Club and is founder of Dadvengers.
Born and raised in London to West Indian Parents, Nigel is a rare and talented find. Since January 2019, he has been at the helm of the hugely successful ‘The Baby Club’ on CBeebies, which was described by The Guardian, as ‘a TV godsend for frazzled new parents’. Alongside Giovanna Fletcher, he leads babies and their parents in charming songs, games and calming storytime.
Following on from the success of ‘The Baby Club’, Nigel discovered the lack of information and support for dads and started the Dadvengers initiative.
A well experienced hand, Nigel has also presented a wide variety of programmes including the ‘CBeebies Proms’, ‘Dance Factory’, ‘Clutter Nutters’, ‘Sportsround’ and ‘Totally Rubbish’ for the BBC; ‘Toonattik’ for GMTV; ‘Unlimited’ for Facebook; ‘Skillicious’ for ITV; ‘My Camp Rock’ for Disney, and ‘Rat Race Urban Adventure’ for Channel 4. In addition, he hosts red carpet and behind the scenes coverage for BAFTA and Disney. Nigel also had a stint presenting Nickelodeon UK's in-vision continuity links in the early 2000s.
Nigel is also incredibly passionate about dance, music and sport. He also performs in the hugely successful percussion show STOMP, both in the West End and internationally. This has led him to perform at events such as the Olympics Closing Ceremony 2012, Live at the Palladium, The Royal Variety Performance and The World Music Awards.
Angela Santomero
Creator and Chief Creative Officer, 9 Story Media Group
Angela C. Santomero, Creator & Executive Producer of ‘Daniel Tiger’s Neighborhood’, ‘Blue’s Clues’, ‘Wishenpoof’, ‘Creative Galaxy’ and ‘Super Why’ has been changing the way children watch TV for more than twenty years. She is the Creator, Executive Producer and Writer for award winning kids and family content for PBS, Nickelodeon, Amazon Studios, etc.
With a Masters in Child Developmental Psychology from Columbia University-Teacher’s College, Angela’s vision for integrating educational curriculum into entertaining content for kids led her to co-create, executive produce and head write Nick Jr. ‘s landmark series, ‘Blue’s Clues’. Malcolm Gladwell referred to ‘Blue’s Clues’ as “One of the stickiest TV shows EVER made”, in The Tipping Point.
Angela is the recipient of the prestigious Peabody Award for Outstanding Childrenʹs Programming as well as several gold and silver Parents’ Choice Awards.
‘Daniel Tiger’s Neighborhood’ was awarded an Emmy for Outstanding Preschool Children’s Animated Series at the 2019 Daytime Creative Arts Emmy Awards.
Ms. Santomero’s book ‘PRESCHOOL CLUES: Raising Smart, Inspired, and Engaged Kids in a Screen-Filled World’ (Touchstone) was released April 2018. Her second book ‘RADICAL KINDNESS: The Life Changing Power of Giving and Receiving’ was released in 2019.
From C21 Media:
Pandemic ‘sparking production creativity’
CMC: The coronavirus pandemic has provided a “call to arms” for the production industry to innovate, according to Nickelodeon’s senior VP of production and development.
Speaking at this year’s digital edition of annual UK event the Children’s Media Conference, Nina Hahn said the world of TV production had experienced some positives amid the crisis.
“The upside of the downside is that creativity really is fuelled by chaos and fuelled by disruption, and the pandemic has obviously been very chaotic, very disruptive, very unsettling,” said the exec.
“But for creative people, it’s actually been a bit of a bit of a win because, all of a sudden, we’re being asked to make things differently, find new ways to do things, think of new ways to make things, work with partnerships that you might not have worked with before and get it all done quickly.
“So to a certain degree, it’s been a fantastic call to arms for us to be able to respond to that stuff, which is really good.”
Elsewhere during the session, Hahn discussed Nickelodeon’s commitment to driving diversity and inclusivity across its brand and content. Hahn pointed to the Nickelodeon Bill of Rights, created in 1990, as a key factor in the company’s diversity strategy.
“We’re at a moment where all of our training and all of our expertise in that area from a kids perspective has really put us in a good place at a good time,” she said.
“To be truly authentic really means to reflect the world in which kids live, and every year you have to look at that, every month you have to look at that, every day you have to look at that in order to make sure you’ve got characters and content – both in front of the camera and behind the camera – that really speak authentically to the voices you’ve got.
“You have to really work to include kids and make sure they understand they all have a voice that is equal to each other.”
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From C21 Media:
The CMC scene
Last week’s online Children’s Media Conference saw buyers outline how the pandemic and Black Lives Matter movement are shaping their shopping lists.
The Athena typifies the “glossy” drama Sky is after
The usual late-night drinks in the Mercure Sheffield lobby and subsequent hangovers may have been absent from this year’s virtual Children’s Media Conference (CMC), but the event’s usual agenda-setting sessions were still present.
The event even managed to continue its traditional karaoke night, albeit over Zoom, courtesy of Jamie Badminton, live from Karrot Studios last Thursday evening.
This year’s CMC had over 1,000 registered delegates, with the most popular session being the opening keynote that focused on the Black Lives Matter movement. You can read C21’s report on that session here.
Meanwhile, a host of buyers took to Zoom to outline how both the pandemic and the Black Lives Matter movement are impacting their commissioning strategies.
On the latter, Hopster’s chief content creator Miki Chojnacka said the UK-based preschool digital entertainment platform is looking for content focusing on black history.
“We wanted to celebrate Black History Month this year and we realised that there’s not enough content, and if there is content, it’s mostly quite old, US history. What we are missing and what we are looking for is content – it could be songs or episodes – about black history, especially the British one. So, the Windrush generation and also current role models.
“We would like to have current role models that don’t come from the urban space but are scientists, pilots or writers. That’s something we’re definitely looking for now, very actively.
“We’re looking for diversity not only on-screen but also behind the screen. We’re looking for creators from black or Asian minorities; they could be songwriters, video creators or designers,” Chojnacka told delegates.
Chojnacka also explained that Hopster is hoping to commission educational preschool content to help its young viewers learn about diversity and inclusivity through engaging storytelling.
“The content has to be about learning, diverse, inclusive and gender-neutral – or even more important, there could be no gender stereotypes. It needs to be smart but also really funny and sweet because we help kids learn with stories they love. They have to fall in love with the characters,” the exec explained.
Elsewhere, Nina Hahn, Nickelodeon International’s senior VP of production and development, said the coronavirus pandemic has provided a “call to arms” for the production industry to innovate.
“The upside of the downside is that creativity really is fuelled by chaos and fuelled by disruption, and the pandemic has obviously been very chaotic, very disruptive, very unsettling,” said the exec.
“But for creative people, it’s actually been a bit of a bit of a win, because all of a sudden, we’re being asked to make things differently, find new ways to do things, think of new ways to make things, work with partnerships that you might not have worked with before and get it all done quickly.
“So, to a certain degree, it’s been a fantastic call to arms for us to be able to respond to that stuff, which is really good.”
Elsewhere during the session, Hahn discussed Nickelodeon’s commitment to driving diversity and inclusivity across its brand and content. Hahn pointed to the Nickelodeon Bill of Rights, created in 1990, as a key factor in the company’s diversity strategy.
“We’re at a moment where all of our training and all of our expertise in that area from a kid’s perspective has really put us in a good place at a good time,” she said.
“To be truly authentic really means to reflect the world in which kids live, and every year you have to look at that, every month you have to look at that, every day you have to look at that in order to make sure you’ve got characters and content – both in front of and behind the camera – that really speak authentically to the voices you’ve got.
“You have to really work to include kids and make sure they understand they all have a voice that is equal to each other.”
Elsewhere, Sky’s director of kids’ content for the UK and Ireland, Lucy Murphy, said the children’s arm of the UK satcaster is seeking to expand its original drama slate and build on the success its arts and crafts titles have enjoyed during the pandemic.
“We are looking for drama. Looking at something like The Athena, which we made last year, and H2O, we want it to be glossy, memorable and aspirational,” Murphy said.
“The great thing about on-demand is that you can put boxsets up, you can have narrative arcs across series and you don’t have to go for episodic shows. So we are looking specifically for drama.”
Meanwhile, highlighting the strong performance of arts and crafts content on Sky Kids during the coronavirus lockdown, Murphy said she was hoping to add established brands in this space to the satcaster’s offering.
“We’re looking for more of the shortform arts and crafts type of content as well and, as always, we’re constantly on the lookout for shows to acquire from big brands. We don’t just buy big brands, we look for little gems as well,” Murphy said.
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More Nick: Nickelodeon Upfront 2020 Roundup!
Originally published: Saturday, July 04, 2020.
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