Dançar também é brincar! Levante da cadeira e dance ao som da sua música favorita!
Mais Nick: Nickelodeon Brazil Announces 'Dia de Brincar' 2018!
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Monday, April 23, 2018
Nickelodeon Italy To Premiere 'Blurt!' On Wednesday 25th April 2018
NICKELODEON ITALY TO PREMIERE NEW ORIGINAL TV MOVIE, BLURT, ON WEDNESDAY 25TH APRIL 2018
STARRING HENRY DANGER’S JACE NORMAN, JOJO SIWA AND DANIELLA PERKINS
Nickelodeon Italy (Italia) will premiere a new original TV movie, Blurt (formerly Inside Voice), on Wednesday 25th April 2018, starring Jace Norman (Henry Danger, Adam & Adam, Il mio amico è una bestia), JoJo Siwa (Lip Sync Battle Shorties) and Daniella Perkins (Knight Squad). The live-action comedy tells the story of Jeremy Martin (Jace Norman) who, after a comical virtual reality mishap, starts speaking every thought he has out loud and to complicate matters, he happens to be running in the school election. The film is locally titled Jeremy senza freni in Italy.
Jeremy Martin is a nice-guy and when he puts on mysterious virtual reality glasses at the mall, he suddenly loses his “inside voice” and starts spouting every thought he has out loud. Making matters worse, Jeremy is running for student council president against his classmate Milly (Daniella Perkins), who is full of great ideas to improve the school. Desperate to get back to normal, Jeremy and his sister Victoria (JoJo Siwa) must figure out how to convince his brain that he can speak up for himself. Can they do it, or will Jeremy be stuck saying his thoughts out loud forever?!
The virtual reality sequences featured in the movie are being developed and created by Nickelodeon’s Entertainment Lab, the network’s new division spearheading long-range research and development efforts around new technologies for Nick and its audience. Blurt is the second on-air project fed through the lab, following Fuga dalla biblioteca di Mr Lemoncello.
Blurt is executive produced by Scott McAboy and Michael Sammaciccia. Amy Sydorick is serving as producer. Jace Norman is serving as co-producer. The TV movie was written by Adrian Vina (Vampiro Per Caso) and is directed by Michelle Johnston (Another Cinderella Story: If The Shoe Fits).
Blurt made its world debut on Nickelodeon USA on Monday 19th February 2018, and will be rolling out on Nickelodeon channels worldwide throughout 2018.
Emoji Challenge W/The Cast Of 'Knight Squad' | Nickelodeon
It's the Emoji Challenge! Can you guess faster than the Knight Squad cast? 🤷♀️
More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
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More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Knight Squad News and Highlights!
Nickelodeon Greece To Premiere 'The Loud House' Soon!
Το πρώτο διαφημιστικό σποτ της σειράς The Loud House, που έρχεται σύντομα στο Nickelodeon Greece!
Περισσότερα Nick: Nickelodeon Greece To Premiere 'Blurt!' On Sunday 29th April 2018 + More April 2018 Highlights!
H/T: ToonZone Forums /@Nick Mick.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Greece and The Loud House News and Highlights!
Περισσότερα Nick: Nickelodeon Greece To Premiere 'Blurt!' On Sunday 29th April 2018 + More April 2018 Highlights!
H/T: ToonZone Forums /@Nick Mick.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Greece and The Loud House News and Highlights!
Remember When | Poor Spencer | iPie | iCarly | Nickelodeon
Remember when Spencer (Jerry Trainor) took one for the team for pie in the iCarly episode "iPie"?
Check out Nickelodeon's On This Day and Remember When Facebook pages to find out awesome Nick moments from every era throughout Nickelodeon history!
More Nick: Nickelodeon Reveals First-Look At 'Rise Of The Teenage Mutant Ninja Turtles'!
Additional source: iCarly Wiki.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Sam & Cat News and Highlights!
Check out Nickelodeon's On This Day and Remember When Facebook pages to find out awesome Nick moments from every era throughout Nickelodeon history!
More Nick: Nickelodeon Reveals First-Look At 'Rise Of The Teenage Mutant Ninja Turtles'!
Additional source: iCarly Wiki.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Sam & Cat News and Highlights!
Nickelodeon Latin America To Premiere 'Papaya Bull' On Saturday 5th May 2018
Nickelodeon Latin America (Latinoamérica) will start to premiere and show Nickelodeon Brazil's (Brasil) popular locally produced animated series Papaya Bull on Saturday 5th May 2018 at 9:30am on Nickelodeon México and Nickelodeon Venezuela and at 8:30am on Nickelodeon Colombia!
Papaya Bull is an animated series that tells the story of best friends Cacupé and Sócrates. However, one big difference between Cacupé and Sócrates and other best friends is that Cacupé is human and Socrates is an ox! The two live on Papaya Island, where oxen are companions who help with day-to-day activities. But Sócrates is different. Besides talking and being very intelligent, he does not like to be called an ox. The pair make for one perfectly unlikely duo - Cacupé wants to enjoy life to the fullest, but Sócrates is and full of neuroses.
Papaya Bull is co-produced by São Paulo-based production company Birdo Studio (Cartoon Network Brasil's Oswaldo) and Santa Catarina-based animation studio 52 Animation Studio, in partnership with Boutique Filmes. The series made its debut on Nickelodeon Brasil on Monday 2nd October 2017.
Below are the production credits for Papaya Bull:
Director: Fernando Finamore
Co-Director: Rodrigo Eller
Producer: producer Ingrid Machado
Animation Supervisors: Anderson Lister, Allan Sanches, Gabriel Franklin and Pedro Puntel
Storyboard supervisor: Tiago Kogi
Voice Director: Melissa Garcia
Storyboard Artists: Isla Garcia, Ricardo Sasaki.
Papaya Bull is the fourth Brazilian series to air on Nickelodeon Brazil, joining Brichos, Zica e os Camaleões and Os Under-Undergrounds.
Más Nick: Nickelodeon Latin America To Premiere 'Oye Arnold! - Una Película en la Jungla' On Thursday 26th April 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Latin America News and Highlights!
Papaya Bull is an animated series that tells the story of best friends Cacupé and Sócrates. However, one big difference between Cacupé and Sócrates and other best friends is that Cacupé is human and Socrates is an ox! The two live on Papaya Island, where oxen are companions who help with day-to-day activities. But Sócrates is different. Besides talking and being very intelligent, he does not like to be called an ox. The pair make for one perfectly unlikely duo - Cacupé wants to enjoy life to the fullest, but Sócrates is and full of neuroses.
Papaya Bull is co-produced by São Paulo-based production company Birdo Studio (Cartoon Network Brasil's Oswaldo) and Santa Catarina-based animation studio 52 Animation Studio, in partnership with Boutique Filmes. The series made its debut on Nickelodeon Brasil on Monday 2nd October 2017.
Below are the production credits for Papaya Bull:
Director: Fernando Finamore
Co-Director: Rodrigo Eller
Producer: producer Ingrid Machado
Animation Supervisors: Anderson Lister, Allan Sanches, Gabriel Franklin and Pedro Puntel
Storyboard supervisor: Tiago Kogi
Voice Director: Melissa Garcia
Storyboard Artists: Isla Garcia, Ricardo Sasaki.
Papaya Bull is the fourth Brazilian series to air on Nickelodeon Brazil, joining Brichos, Zica e os Camaleões and Os Under-Undergrounds.
Más Nick: Nickelodeon Latin America To Premiere 'Oye Arnold! - Una Película en la Jungla' On Thursday 26th April 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Latin America News and Highlights!
Nickelodeon Latin America Announces 'Día del Juego México' 2018
Nickelodeon Latin America (Latinoamérica) has announced the exciting news that the number-one entertainment brand for kids will be hosting its 2018 edition of Día del Juego México, Nickelodeon Latinoamérica's local version of Nickelodeon's Worldwide Day of Play, on Saturday 19th May 2018 in the Fuente de las Ninfas at Bosque de Chapultepec in Ciudad de México!
Nickelodeon's pro-social initiative celebrates kids' love of play, highlighting the importance physical activity, and encourages the whole family to take part in creative and imaginative sports and games in a safe environment.
Worldwide Day of Play was created by Nickelodeon in conjunction with its “Let’s Just Play” campaign. The annual event is designed to encourage children and adults to turn off the television and play, especially outdoors.
Worldwide Day of Play was created by Nickelodeon in conjunction with its “Let’s Just Play” campaign, and has since become a worldwide movement which goal is to encourage a healthy lifestyle, balancing watching television and playing video games with taking part in traditional leisure activities.
Additional sources: Google Translate, Wikipedia, Foursquare.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Latin America and Día del Juego México News and Highlights!
Nickelodeon's pro-social initiative celebrates kids' love of play, highlighting the importance physical activity, and encourages the whole family to take part in creative and imaginative sports and games in a safe environment.
Worldwide Day of Play was created by Nickelodeon in conjunction with its “Let’s Just Play” campaign. The annual event is designed to encourage children and adults to turn off the television and play, especially outdoors.
Worldwide Day of Play was created by Nickelodeon in conjunction with its “Let’s Just Play” campaign, and has since become a worldwide movement which goal is to encourage a healthy lifestyle, balancing watching television and playing video games with taking part in traditional leisure activities.
Additional sources: Google Translate, Wikipedia, Foursquare.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Latin America and Día del Juego México News and Highlights!
How JAM Media Is Refining A Mixed-Media World With "Becca’s Bunch" | Nickelodeon [Updated]
How JAM Media is producing one of its most complex hybrid projects in the upcoming preschool series, Becca's Bunch, which is set to debut on Nickelodeon and Nick Jr. channels globally in 2018.
Update (23/4): JAM Media will be hosting a Work in Progress session for Becca's Bunch at Annecy 2018! Taking place on Tuesday 12th June 2018 between 14:00 - 15:15 at Salle Pierre Lamy, the session will feature speakers: John Rice, Executive Producer, Jam Media; Alan Shannon, Executive Producer, Jam Media; and Conor Finnegan, Series Director, Jam Media; and will be moderated by Christophe Erbes, Writer and Consultant, Kids Media Cnsulting. The panel session is open to Students, Meetings and Mifa badgeholders, by reservation.
Having produced a number of mixed-media series like Picme and Roy, JAM Media is always up for a challenge. But when the Dublin, Ireland-based company agreed to adapt an award-winning original short film—Fear of Flying by Irish filmmaker Conor Finnegan—it nearly met its match.
Finnegan’s nine-minute film tells the story of a little bird who overcomes his fear of flying and follows his feathered friends south. Funded under the Irish Film Board’s Frameworks scheme, the short features a unique blend of live-action puppetry with 2D/3D animation. Among its many awards, it garnered Best Animation at both Ireland’s Galway Film Fleadh and the LA Shorts Festival in 2012.
“We saw the short in Galway on its premiere, and were really taken by its visual appeal and tactile quality,” JAM CCO Alan Shannon tells Kidscreen's Jeremy Dickson. Coincidentally, JAM head of development Chris Dicker was already floating an idea for a series starring a very positive and adventurous female lead. With a golden opportunity in its grasp, JAM optioned the film and brought Finnegan in to help art direct and craft a long-form preschool series with Dicker. JAM’s Dublin studio, meanwhile, got to work on the show’s stories and characters, and Manchester-based prodco and stop-motion animation expert Factory (Clangers, Scream Street) was hired to produce the series’ live-action elements.
Using a mix of live-action, puppetry, 2D and 3D animation similar to the short, the full series was renamed Becca’s Bunch. It follows the titular bird character and her friends as they head out on adventures in Wagtail Woods. Nickelodeon Senior Vice President (SVP) of International Production and Development Nina Hahn says the project was introduced to her and Nick’s Vice President (VP) of Content Acquisitions, Layla Lewis, at a very early stage. And it was love at first sight.
“They showed us the short even before they did the formal pitch into our larger group, which allowed us to give them feedback from multiple different filters on what we wanted to see,” Hahn says. “The content itself had a lot of the DNA of Nickelodeon, from the visual quirkiness, to the way the characters were developed and its strong female lead at the center. It really tapped into the kind of broad, emotional and simple ideas that we like to work with.”
As a result, Nickelodeon secured exclusive broadcast rights to the 52 x 11-minute series in the US, as well as global pay-TV rights, in October 2016. The show is slated to debut in 2018, with a premiere date to be announced nearer the launch. Three months later, JAM brokered a deal with Australia’s ABC Kids, and CBC Kids snapped up the series for Canada in May. Most recently, French terrestrial France Télévisions has acquired the rights for the show.
Learning curve
According to the show’s executive producers Shannon and JAM CEO John Rice, the project has been both a delight and a major challenge. “We never make things easy on ourselves, and we hit the jackpot with this one because it combines so many different little processes, some that we weren’t very well versed in,” says Shannon.
The production process begins with shooting live-action footage of puppets on customized rods built by Factory that give the characters a unique gait. The puppets are shot against real backgrounds to preserve the IP's (intellectual property) textural look and feel. Then in post, the rods are digitally removed, and the characters’ limbs and facial expressions are added using CGI animation.
“There’s a massive learning curve in how to compose shots in such a way that there’s less impact down the line for the digital process,” says Shannon. “For instance, all of the puppetry is carried out in real time, which sounds like it should be quick, but it’s far from it. It saves a little time on the floor, but the addition of the CG elements with the digital elements takes a long time.”
Other challenges involved figuring out how to accommodate multiple puppeteers using the rod-powered puppets on a very small set, taking the rods out for de-rigging, and removing shadows cast from the rods onto the puppets. The biggest obstacle, however, was matching the live-action footage exactly with CG elements.
“Even though we have tracking points on every puppet, using those as guides for where the limbs might go didn’t prove very successful at all, and at that point a large majority of the first 26 episodes were already shot,” says Shannon. “In the end, we had to reconstruct from scratch exact replicas of the characters in CG, even down to their indivdual hairs. Then we had to refine those rigs repeatedly until they matched exactly. It enabled us to copy the live-action motion so at least all of the eyes, beaks and limbs looked believable.”
Regarding the decision to use live action, Finnegan says shooting the puppets at 25 or 30 frames per second allows for more fluidity, since stop-motion is often filmed at a lower frame rate. “It has a much more analog feel, so when a character stops walking they will still bob around a little bit because the puppeteer may not have a completely solid hand. You can tell that there are a lot of people behind the craft of the puppets and the world,” says Finnegan.
For Rice, the production’s approach is paying off, now that the series is well into its second round of 26 episodes. At press time, 33 episodes and all 52 animatics had been shot, and three episodes were complete. “The learnings we’ve taken have also extended onto our other new shows like Jessy and Nessy,” says Rice. “And from a few of the Becca images we’ve posted, we’ve already had a number of rights holders and production companies looking to work with us to adapt the style on other properties.”
Going forward, Shannon says JAM will look to tie up presales in non-Nick territories, and begin discussions with a number of toy companies and licensees. “We already have two publishing deals secured, Egmont for the world and Candlewick for the US, and we expect to make some interesting announcements in the coming months,” he says.
Update (23/4): JAM Media will be hosting a Work in Progress session for Becca's Bunch at Annecy 2018! Taking place on Tuesday 12th June 2018 between 14:00 - 15:15 at Salle Pierre Lamy, the session will feature speakers: John Rice, Executive Producer, Jam Media; Alan Shannon, Executive Producer, Jam Media; and Conor Finnegan, Series Director, Jam Media; and will be moderated by Christophe Erbes, Writer and Consultant, Kids Media Cnsulting. The panel session is open to Students, Meetings and Mifa badgeholders, by reservation.
Having produced a number of mixed-media series like Picme and Roy, JAM Media is always up for a challenge. But when the Dublin, Ireland-based company agreed to adapt an award-winning original short film—Fear of Flying by Irish filmmaker Conor Finnegan—it nearly met its match.
Finnegan’s nine-minute film tells the story of a little bird who overcomes his fear of flying and follows his feathered friends south. Funded under the Irish Film Board’s Frameworks scheme, the short features a unique blend of live-action puppetry with 2D/3D animation. Among its many awards, it garnered Best Animation at both Ireland’s Galway Film Fleadh and the LA Shorts Festival in 2012.
“We saw the short in Galway on its premiere, and were really taken by its visual appeal and tactile quality,” JAM CCO Alan Shannon tells Kidscreen's Jeremy Dickson. Coincidentally, JAM head of development Chris Dicker was already floating an idea for a series starring a very positive and adventurous female lead. With a golden opportunity in its grasp, JAM optioned the film and brought Finnegan in to help art direct and craft a long-form preschool series with Dicker. JAM’s Dublin studio, meanwhile, got to work on the show’s stories and characters, and Manchester-based prodco and stop-motion animation expert Factory (Clangers, Scream Street) was hired to produce the series’ live-action elements.
Using a mix of live-action, puppetry, 2D and 3D animation similar to the short, the full series was renamed Becca’s Bunch. It follows the titular bird character and her friends as they head out on adventures in Wagtail Woods. Nickelodeon Senior Vice President (SVP) of International Production and Development Nina Hahn says the project was introduced to her and Nick’s Vice President (VP) of Content Acquisitions, Layla Lewis, at a very early stage. And it was love at first sight.
“They showed us the short even before they did the formal pitch into our larger group, which allowed us to give them feedback from multiple different filters on what we wanted to see,” Hahn says. “The content itself had a lot of the DNA of Nickelodeon, from the visual quirkiness, to the way the characters were developed and its strong female lead at the center. It really tapped into the kind of broad, emotional and simple ideas that we like to work with.”
As a result, Nickelodeon secured exclusive broadcast rights to the 52 x 11-minute series in the US, as well as global pay-TV rights, in October 2016. The show is slated to debut in 2018, with a premiere date to be announced nearer the launch. Three months later, JAM brokered a deal with Australia’s ABC Kids, and CBC Kids snapped up the series for Canada in May. Most recently, French terrestrial France Télévisions has acquired the rights for the show.
Learning curve
According to the show’s executive producers Shannon and JAM CEO John Rice, the project has been both a delight and a major challenge. “We never make things easy on ourselves, and we hit the jackpot with this one because it combines so many different little processes, some that we weren’t very well versed in,” says Shannon.
The production process begins with shooting live-action footage of puppets on customized rods built by Factory that give the characters a unique gait. The puppets are shot against real backgrounds to preserve the IP's (intellectual property) textural look and feel. Then in post, the rods are digitally removed, and the characters’ limbs and facial expressions are added using CGI animation.
“There’s a massive learning curve in how to compose shots in such a way that there’s less impact down the line for the digital process,” says Shannon. “For instance, all of the puppetry is carried out in real time, which sounds like it should be quick, but it’s far from it. It saves a little time on the floor, but the addition of the CG elements with the digital elements takes a long time.”
Other challenges involved figuring out how to accommodate multiple puppeteers using the rod-powered puppets on a very small set, taking the rods out for de-rigging, and removing shadows cast from the rods onto the puppets. The biggest obstacle, however, was matching the live-action footage exactly with CG elements.
“Even though we have tracking points on every puppet, using those as guides for where the limbs might go didn’t prove very successful at all, and at that point a large majority of the first 26 episodes were already shot,” says Shannon. “In the end, we had to reconstruct from scratch exact replicas of the characters in CG, even down to their indivdual hairs. Then we had to refine those rigs repeatedly until they matched exactly. It enabled us to copy the live-action motion so at least all of the eyes, beaks and limbs looked believable.”
Regarding the decision to use live action, Finnegan says shooting the puppets at 25 or 30 frames per second allows for more fluidity, since stop-motion is often filmed at a lower frame rate. “It has a much more analog feel, so when a character stops walking they will still bob around a little bit because the puppeteer may not have a completely solid hand. You can tell that there are a lot of people behind the craft of the puppets and the world,” says Finnegan.
For Rice, the production’s approach is paying off, now that the series is well into its second round of 26 episodes. At press time, 33 episodes and all 52 animatics had been shot, and three episodes were complete. “The learnings we’ve taken have also extended onto our other new shows like Jessy and Nessy,” says Rice. “And from a few of the Becca images we’ve posted, we’ve already had a number of rights holders and production companies looking to work with us to adapt the style on other properties.”
Going forward, Shannon says JAM will look to tie up presales in non-Nick territories, and begin discussions with a number of toy companies and licensees. “We already have two publishing deals secured, Egmont for the world and Candlewick for the US, and we expect to make some interesting announcements in the coming months,” he says.
Nickelodeon To Host Studio Focus Session At Annecy 2018
Festival international du film d'animation d'Annecy has announced the exciting news that Nickelodeon will be hosting a Studio Focus session at the 2018 Annecy International Animated Film Festival and Market (MIFA) this June!
Taking place on Monday 11th June 2018 at 16:00 - 17:15 at Salle Pierre Lamy, the session, in which Nickelodeon executives will talk audiences through Nickelodeon's upcoming lineup, is open to Students, Meetings and Mifa badgeholders on a first come, first seated basis.
Movie studio Paramount, which produces theatrical movies in partnership with Nickelodeon Movies, will also be holding a Studio Focus session at Annecy 2018, which is scheduled to take place on Wednesday 13th June 2018 between 16:00 - 17:15 at Salle Pierre Lamy. The session is open to Students, Meetings and Mifa badgeholders, on a first come, first seated basis.
Additionally, Dublin-based creative production, distribution and licensing company JAM Media will be hosting a Work in Progress session at Annecy 2018 for their upcoming animated preschool comedy series Becca's Bunch, which is set to debut on Nickelodeon channels globally in 2018! The session will take place on Tuesday 12th June 2018 between 14:00 - 15:15 at Salle Pierre Lamy, and will feature speakers: John Rice, Executive Producer, Jam Media; Alan Shannon, Executive Producer, Jam Media; and Conor Finnegan, Series Director, Jam Media; and will be moderated by Christophe Erbes, Writer and Consultant, Kids Media Cnsulting. The panel session is open to Students, Meetings and Mifa badgeholders, by reservation.
The 2018 Annecy International Animated Film Festival and Market (MIFA) runs Monday 11th to Saturday 16th June 2018. Full information about this years event can be found on annecy.org.
More Nick: Nickelodeon Upfront 2018 Full Coverage!
Original source: Variety.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon News and Highlights!
Taking place on Monday 11th June 2018 at 16:00 - 17:15 at Salle Pierre Lamy, the session, in which Nickelodeon executives will talk audiences through Nickelodeon's upcoming lineup, is open to Students, Meetings and Mifa badgeholders on a first come, first seated basis.
Movie studio Paramount, which produces theatrical movies in partnership with Nickelodeon Movies, will also be holding a Studio Focus session at Annecy 2018, which is scheduled to take place on Wednesday 13th June 2018 between 16:00 - 17:15 at Salle Pierre Lamy. The session is open to Students, Meetings and Mifa badgeholders, on a first come, first seated basis.
Additionally, Dublin-based creative production, distribution and licensing company JAM Media will be hosting a Work in Progress session at Annecy 2018 for their upcoming animated preschool comedy series Becca's Bunch, which is set to debut on Nickelodeon channels globally in 2018! The session will take place on Tuesday 12th June 2018 between 14:00 - 15:15 at Salle Pierre Lamy, and will feature speakers: John Rice, Executive Producer, Jam Media; Alan Shannon, Executive Producer, Jam Media; and Conor Finnegan, Series Director, Jam Media; and will be moderated by Christophe Erbes, Writer and Consultant, Kids Media Cnsulting. The panel session is open to Students, Meetings and Mifa badgeholders, by reservation.
The 2018 Annecy International Animated Film Festival and Market (MIFA) runs Monday 11th to Saturday 16th June 2018. Full information about this years event can be found on annecy.org.
More Nick: Nickelodeon Upfront 2018 Full Coverage!
Original source: Variety.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon News and Highlights!
With Rise Of Localised Content Creation In India, Kids Genre To Grow By 12-14% In 2018
India - Even though the kids genre in India is still under indexed, it still has the potential to grow beyond limits. Industry experts believe that owning the intellectual properties (IPs) and localisation of the content is going to be a way forward for the category, which is expected to grow by 10-14 per cent in 2018.
Nickelodeon India's Shiva
Nina Elavia Jaipuria, Business Head, Kids Entertainment Cluster at Viacom18, the parent company on Nickelodeon India, told exchange4media.com: “I think slowly and steadily we all have realized that we are great at conceptualizing, developing and creating our own content. Therefore over the years, a lot of local content has evolved in the genre. The dependence on international content that we acquired from the West is going to dwindle and local IPs will evolve even more. We will continue to grow as broadcast and local IPs and that’s the future.”
Echoing similar thoughts on the local IPs, Leena Lele Dutta, Business Head, SPN Kids genre added, “what has worked for us was local characters, names and stories. This is the reason the channel has such good viewership today. We intentionally moved away from alien characters as we would have needed a long time to establish them.” The channel completed a year recently.
“Over the years, local animation has definitely come of age as Indian characters sit comfortably alongside global ones within the kids’ landscape. At Disney, our stories and characters remain region and platform agnostic,” said Devika Prabhu, Executive Director – Content and Communications, Media Networks, Disney India.
Talking about the growth in the genre, Nina mentioned, “I see a lot of growth this year, now that GST and demonetization is behind us, the category will grow 12-15 per cent, both in terms of viewership and ad sales.” Whereas Ashish Bhasin, Chairman & CEO - South Asia, Dentsu Aegis Network, feels that the growth will be more or less in the line of overall television growth, which is expected to be around 10-12 per cent.
Challenges in the kids genre space
As per the BARC data, children, as an audience i.e: the age group of 02-14 years, account for 20 per cent of total TV impressions. This is the highest share across all age cuts. However, the biggest challenge the industry is witnessing is that a lot of content which kids consume is on GEC or a movie channel.
87 per cent kids in 2-14 age group watch non-kids channels, while only 13 per cent watch kids channels, according to a research report by BARC India titled ‘A Peek into Kids Viewership’.
Krishna Desai, Executive Director & Network Head - Kids, South Asia, Turner India, “Kids are increasingly exposed to a range of content online and offline. Their viewing habits are dynamic and ever-evolving. While they are exposed to a vast range of other content, cartoons hold a special place in their hearts. However, the fact remains that due to the burgeoning phenomenon of Indian households primarily owning a single television set, since decades, the percentage of time spent by kids watching kids’ channels has flattened out to not more than 20 per cent.”
On the Production Front
Recently, Discovery Kids launched Little Singham in partnership with Reliance Animation Studio. Also on completing a year, Sony Yay announced their new character Kicko. Viacom18 will also be launching their fifth IP.
Speaking about the production part of the industry, Shibasish Sarkar, COO, Reliance Entertainment explained, “What is lacking in the Indian animation industry is its equation with cartoons. When you talk about animation, people only think of it in terms of cartoons. Today animation is for all ages, you can’t define that it is only for children. When we started animation in the country, it was all about mythological characters such as, Ram, Krishna and Arjun, because all these characters were established in viewers' minds. You really don’t need to spend money on these characters. But if we launch a new character, we also need to establish them, and you need to have some kind of engagement with kids. The problem is, we don't have that kind of funds available in India, because we are still growing and the industry is not that mature.”
He further added, “Nobody is ready to put that much investment in, but in the West, they first create characters, interact with kids, then convert it into a show. Now that we are maturing, we have to come out with shows like Little Singham, where we can start connecting with the kids, but again Singham is an established brand. Also we need to be very strong in pre-production. India is very weak in pre -roduction, as we do not have much talent in India. Also we have to create awareness about animation is.”
Desai also mentioned that animation is not a quick and easy process; it involves thorough visualization and storytelling. “Currently, the major challenge which India faces is a relatively low supply of key talent in animation, especially when it comes to local writers and storyboard artists. While there is incredible potential, there is a need for animation education and training, and the creation of a skilled workforce in India. With the right kind of funding and education, we can be confident of Indian animation standards being on par with global counterparts.”
Kids --the under indexed category
Although it is a robust category, the genre is still under leveraged. Uttam Pal Singh- Head of Discovery Kids feels it is more of an industry call here. “We have meetings with our sales team and with advertisers, but what we essentially understand is that kids. as an audience, are becoming stronger, the genre is growing. You cannot really ignore them and I think things will improve.”
“The genre has a total of 7 percent of viewership on TV, but does not have more 50 per cent of Adex. The kids genre is not the only category which is serving children, but the situation is getting better,” said Jaipuria.
Disney's Prabhu refused to mention numbers, but she said while advertising remains under-indexed for this genre, “we continue to witness a high double digit growth on Disney Channels on the back of great performance and partnerships.”
Talking about the growth, Jaipuria shared, “Despite having headwinds, thanks to GST, we have still seen a fairly robust growth on the top line and ad revenue perspective. We have grown between 12-15 per cent which include the subscription revenue as well. Meanwhile, Dutta believed that ad revenue in the category has remained stable.
More Nick: Nickelodeon India Launches ‘Together For Good’ Initiative For Child Safety!
H/T: ToonZone Forums /@animegamer.
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Nickelodeon India's Shiva
Nina Elavia Jaipuria, Business Head, Kids Entertainment Cluster at Viacom18, the parent company on Nickelodeon India, told exchange4media.com: “I think slowly and steadily we all have realized that we are great at conceptualizing, developing and creating our own content. Therefore over the years, a lot of local content has evolved in the genre. The dependence on international content that we acquired from the West is going to dwindle and local IPs will evolve even more. We will continue to grow as broadcast and local IPs and that’s the future.”
Echoing similar thoughts on the local IPs, Leena Lele Dutta, Business Head, SPN Kids genre added, “what has worked for us was local characters, names and stories. This is the reason the channel has such good viewership today. We intentionally moved away from alien characters as we would have needed a long time to establish them.” The channel completed a year recently.
“Over the years, local animation has definitely come of age as Indian characters sit comfortably alongside global ones within the kids’ landscape. At Disney, our stories and characters remain region and platform agnostic,” said Devika Prabhu, Executive Director – Content and Communications, Media Networks, Disney India.
Talking about the growth in the genre, Nina mentioned, “I see a lot of growth this year, now that GST and demonetization is behind us, the category will grow 12-15 per cent, both in terms of viewership and ad sales.” Whereas Ashish Bhasin, Chairman & CEO - South Asia, Dentsu Aegis Network, feels that the growth will be more or less in the line of overall television growth, which is expected to be around 10-12 per cent.
Challenges in the kids genre space
As per the BARC data, children, as an audience i.e: the age group of 02-14 years, account for 20 per cent of total TV impressions. This is the highest share across all age cuts. However, the biggest challenge the industry is witnessing is that a lot of content which kids consume is on GEC or a movie channel.
87 per cent kids in 2-14 age group watch non-kids channels, while only 13 per cent watch kids channels, according to a research report by BARC India titled ‘A Peek into Kids Viewership’.
Krishna Desai, Executive Director & Network Head - Kids, South Asia, Turner India, “Kids are increasingly exposed to a range of content online and offline. Their viewing habits are dynamic and ever-evolving. While they are exposed to a vast range of other content, cartoons hold a special place in their hearts. However, the fact remains that due to the burgeoning phenomenon of Indian households primarily owning a single television set, since decades, the percentage of time spent by kids watching kids’ channels has flattened out to not more than 20 per cent.”
On the Production Front
Recently, Discovery Kids launched Little Singham in partnership with Reliance Animation Studio. Also on completing a year, Sony Yay announced their new character Kicko. Viacom18 will also be launching their fifth IP.
Speaking about the production part of the industry, Shibasish Sarkar, COO, Reliance Entertainment explained, “What is lacking in the Indian animation industry is its equation with cartoons. When you talk about animation, people only think of it in terms of cartoons. Today animation is for all ages, you can’t define that it is only for children. When we started animation in the country, it was all about mythological characters such as, Ram, Krishna and Arjun, because all these characters were established in viewers' minds. You really don’t need to spend money on these characters. But if we launch a new character, we also need to establish them, and you need to have some kind of engagement with kids. The problem is, we don't have that kind of funds available in India, because we are still growing and the industry is not that mature.”
He further added, “Nobody is ready to put that much investment in, but in the West, they first create characters, interact with kids, then convert it into a show. Now that we are maturing, we have to come out with shows like Little Singham, where we can start connecting with the kids, but again Singham is an established brand. Also we need to be very strong in pre-production. India is very weak in pre -roduction, as we do not have much talent in India. Also we have to create awareness about animation is.”
Desai also mentioned that animation is not a quick and easy process; it involves thorough visualization and storytelling. “Currently, the major challenge which India faces is a relatively low supply of key talent in animation, especially when it comes to local writers and storyboard artists. While there is incredible potential, there is a need for animation education and training, and the creation of a skilled workforce in India. With the right kind of funding and education, we can be confident of Indian animation standards being on par with global counterparts.”
Kids --the under indexed category
Although it is a robust category, the genre is still under leveraged. Uttam Pal Singh- Head of Discovery Kids feels it is more of an industry call here. “We have meetings with our sales team and with advertisers, but what we essentially understand is that kids. as an audience, are becoming stronger, the genre is growing. You cannot really ignore them and I think things will improve.”
“The genre has a total of 7 percent of viewership on TV, but does not have more 50 per cent of Adex. The kids genre is not the only category which is serving children, but the situation is getting better,” said Jaipuria.
Disney's Prabhu refused to mention numbers, but she said while advertising remains under-indexed for this genre, “we continue to witness a high double digit growth on Disney Channels on the back of great performance and partnerships.”
Talking about the growth, Jaipuria shared, “Despite having headwinds, thanks to GST, we have still seen a fairly robust growth on the top line and ad revenue perspective. We have grown between 12-15 per cent which include the subscription revenue as well. Meanwhile, Dutta believed that ad revenue in the category has remained stable.
More Nick: Nickelodeon India Launches ‘Together For Good’ Initiative For Child Safety!
H/T: ToonZone Forums /@animegamer.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon India, Motu Patlu and Pakdam Pakdai News and Highlights!
Viacom to Launch Nickelodeon’s NOGGIN on Amazon Prime Video Channels
Viacom has announced that it will further accelerate its expansion on next-generation platforms by teaming up with Amazon to bring Nickelodeon's NOGGIN to Amazon’s Prime Video Channels this May.
Paw Patrol games are featured on NOGGIN. Image courtesy of Nickelodeon.
For $7.99 per month, young fans will be able to enjoy NOGGIN, Nickelodeon's top-rated OTT product that provides curriculum-driven content to preschoolers, including: interactive play-along episodes for hit Nickelodeon preschool shows Blaze and the Monster Machines, Bubble Guppies and Team Umizoomi; short-form videos; educational content; music videos featuring preschoolers’ favorite Nick characters; and over 1500 full-length library episodes of PAW Patrol, Dora the Explorer, Peppa Pig, Blue’s Clues, Max & Ruby, Go, Diego, Go! and Peter Rabbit, among many others.
“Our audiences continue to enjoy Viacom content in more places and with more flexibility than ever before,” said Tom Gorke, Executive Vice President (EVP), Head of Distribution and Business Development for Viacom.
“The availability of NOGGIN on Prime Video Channels will be a great new way for Nickelodeon fans to watch and interact with the best in preschool content on the popular Amazon platform.”
Along with the rapid growth of Viacom Digital Studios and recent acquisitions of influence marketer WHOSAY and online video conference mecca, VidCon, NOGGIN’s expansion on Prime Video Channels is another way that Viacom is strengthening its presence on key next-generation digital platforms. The news follows Viacom International Media Networks (VIMN) UK and Ireland also recently announcing plans to launch Channel 5's popular preschool programming block Milkshake! on Amazon Channels in the UK.
Nickelodeon launched NOGGIN as a stand-alone app in February 2015, and the ad-free platform has since topped the charts of Apple and Google, ranking as one of the Top 10 Kids Apps on the App Store’s Free Apps chart, as well as being the no. 1 grossing app for Music and Video in the Family Category on Google Play. NOGGIN was also selected by Apple as an Apple TV app of the year.
For more information about NOGGIN, visit http://www.noggin.com/
More Nick: Nickelodeon Launches Nick Jr. Play App Internationally!
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Paw Patrol games are featured on NOGGIN. Image courtesy of Nickelodeon.
For $7.99 per month, young fans will be able to enjoy NOGGIN, Nickelodeon's top-rated OTT product that provides curriculum-driven content to preschoolers, including: interactive play-along episodes for hit Nickelodeon preschool shows Blaze and the Monster Machines, Bubble Guppies and Team Umizoomi; short-form videos; educational content; music videos featuring preschoolers’ favorite Nick characters; and over 1500 full-length library episodes of PAW Patrol, Dora the Explorer, Peppa Pig, Blue’s Clues, Max & Ruby, Go, Diego, Go! and Peter Rabbit, among many others.
“Our audiences continue to enjoy Viacom content in more places and with more flexibility than ever before,” said Tom Gorke, Executive Vice President (EVP), Head of Distribution and Business Development for Viacom.
“The availability of NOGGIN on Prime Video Channels will be a great new way for Nickelodeon fans to watch and interact with the best in preschool content on the popular Amazon platform.”
Along with the rapid growth of Viacom Digital Studios and recent acquisitions of influence marketer WHOSAY and online video conference mecca, VidCon, NOGGIN’s expansion on Prime Video Channels is another way that Viacom is strengthening its presence on key next-generation digital platforms. The news follows Viacom International Media Networks (VIMN) UK and Ireland also recently announcing plans to launch Channel 5's popular preschool programming block Milkshake! on Amazon Channels in the UK.
Nickelodeon launched NOGGIN as a stand-alone app in February 2015, and the ad-free platform has since topped the charts of Apple and Google, ranking as one of the Top 10 Kids Apps on the App Store’s Free Apps chart, as well as being the no. 1 grossing app for Music and Video in the Family Category on Google Play. NOGGIN was also selected by Apple as an Apple TV app of the year.
For more information about NOGGIN, visit http://www.noggin.com/
More Nick: Nickelodeon Launches Nick Jr. Play App Internationally!
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Sci-Fi Valley Con 2018 To Host 'Invader ZIM' Reunion
Rejoice, earthlings - the 2018 Sci-Fi Valley Con will be spreading DOOM! when the premier Sci-Fi Convention hosts a out-of-this-world Invader ZIM reunion, featuring the original voice cast of Nickelodeon's cult favorite animated series this summer, ahead of Nickelodeon's upcoming Invader ZIM TV movie, set to premiere later this year!
Taking place between Friday 8th-Sunday 10 June 2018 at the Blair County Convention Center in Altoona, Pennsylvania, Sci-Fi Valley Con 2018's Invader ZIM Reunion will feature: Richard Horvitz (voice of Zim), Rikke Simons (voice of GIR), Melissa Fahn (voice of Gaz) and Olivia d’ Abo (voice of Tak)!
Joining the voice cast of Invader ZIM at Sci-Fi Valley Con 2018 will be Rob Paulsen, the voice of Raphael in the 1987 Teenage Mutant Ninja Turtles series and Donatello in Nickelodeon's 2012 TMNT series, who is serving at the voice director on Nickelodeon's upcoming Rise Of The Teenage Mutant Ninja Turtles! series!
Richard, Rikke, Melissa, Olivia and Rob will also be signing autographs and recording videos for fans at the event*, with Rikke also drawing for fans!
* Olivia won't be participating in this part.
For full details and tickets for the 2018 Sci-Fi Valley Con, please visit scifivalleycon.com.
More Nick: Nickelodeon Greenlights "Invader Zim" TV Movie!
H/T: Huge thanks to @Loudfan123212 for the news!
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Taking place between Friday 8th-Sunday 10 June 2018 at the Blair County Convention Center in Altoona, Pennsylvania, Sci-Fi Valley Con 2018's Invader ZIM Reunion will feature: Richard Horvitz (voice of Zim), Rikke Simons (voice of GIR), Melissa Fahn (voice of Gaz) and Olivia d’ Abo (voice of Tak)!
Joining the voice cast of Invader ZIM at Sci-Fi Valley Con 2018 will be Rob Paulsen, the voice of Raphael in the 1987 Teenage Mutant Ninja Turtles series and Donatello in Nickelodeon's 2012 TMNT series, who is serving at the voice director on Nickelodeon's upcoming Rise Of The Teenage Mutant Ninja Turtles! series!
Richard, Rikke, Melissa, Olivia and Rob will also be signing autographs and recording videos for fans at the event*, with Rikke also drawing for fans!
* Olivia won't be participating in this part.
For full details and tickets for the 2018 Sci-Fi Valley Con, please visit scifivalleycon.com.
More Nick: Nickelodeon Greenlights "Invader Zim" TV Movie!
H/T: Huge thanks to @Loudfan123212 for the news!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon, Invader Zim and Rise Of The Teenage Mutant Ninja Turtles News and Highlights!
DIY 🌎 Earth Day Craft w/ Knight Squad 🍬 | Nickelodeon
Daniella Perkins, Owen Joyner, and Lilimar from Knight Squad demonstrate how to reuse every day plastics to make a crazy candy dispenser fit for a Teenage Mutant Ninja Turtle. 🍬 Try it out yourself to help the Earth on Earth Day and every day! Catch more of your favorite shows and stars everyday on Nickelodeon! 🌎
More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
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More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for all the latest Earth Day on Nickelodeon News and Highlights!
Jace Norman's John Cena Impression 🗣️ SpongeBob Meme Challenge 🍍 Earth Day 🌿 & More! | #WinYourWeek | Nickelodeon
Kick off the best week ever with these hilarious John Cena impressions from Jace Norman, Jack Griffo, and your favorite Nick stars! Test your knowledge with the SpongeBob Meme Challenge and check out Nick's tips for an awesome Earth Day. Plus, Nickelodeon reveals the winner of last week’s National Jelly Bean Day poll – the competition got heated!
Nick wants you to tell YOUR best JOKE in an upcoming episode of Win Your Week! 😂 Share it in the comments on YouTube for your chance to be featured! Oh! – and for all of our SpongeBob fans out there, you can learn more about the origins of your favorite memes here 🍍: http://bit.ly/SBmemes
More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
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Nick wants you to tell YOUR best JOKE in an upcoming episode of Win Your Week! 😂 Share it in the comments on YouTube for your chance to be featured! Oh! – and for all of our SpongeBob fans out there, you can learn more about the origins of your favorite memes here 🍍: http://bit.ly/SBmemes
More Nick: Nickelodeon USA's April 2018 Premiere Highlights!
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Speech Bubble W/ Butch Hartman - Feat. Grey DeLisle
Butch Hartman (creator of Fairly OddParents and Danny Phantom on Nickelodeon) is joined by voice actress Grey DeLisle for this episode of Speech Bubble!
Butch Hartman (creator of Fairly OddParents, Danny Phantom, T.U.F.F. Puppy and Bunsen Is a Beast on Nickelodeon) hosts Speech Bubble with the Robin to his Batman, Jace Diehl! Topics range from cartoons to movies to what Butch had for lunch yesterday. No matter what he talks about, it’s always guaranteed to be awesome!
Apple Podcasts: http://apple.co/2g3EGvH
Google Play: http://bit.ly/2xqNIKB
SoundCloud: http://bit.ly/2xrL5IH
Butch Hartman Sketchbook #1: https://www.amazon.com/Butch-Hartman-Sketchbook-Stuff-drawn/dp/1975613392
Check out Butch's brand-new comic The 3 O'Clock Club from Lion Forge Comics, and be sure to like, subscribe, and follow everything of Butch's below:
Butch Hartman - Facebook | Instagram | Butch's Sketchpad On Instagram | Twitter | Snapchat: @realhartman | YouTube | Speech Bubble | Tumblr | Pinterest
The Noog Network - www.noognetwork.com | Facebook | Instagram | Twitter | Snapchat: @noognetwork | Tumblr | Pinterest
More Nick: Sam Manson: 10 Years Later (Feat. Grey DeLisle) | Danny Phantom | Speech Bubble w/Butch Hartman!
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Butch Hartman (creator of Fairly OddParents, Danny Phantom, T.U.F.F. Puppy and Bunsen Is a Beast on Nickelodeon) hosts Speech Bubble with the Robin to his Batman, Jace Diehl! Topics range from cartoons to movies to what Butch had for lunch yesterday. No matter what he talks about, it’s always guaranteed to be awesome!
Apple Podcasts: http://apple.co/2g3EGvH
Google Play: http://bit.ly/2xqNIKB
SoundCloud: http://bit.ly/2xrL5IH
Butch Hartman Sketchbook #1: https://www.amazon.com/Butch-Hartman-Sketchbook-Stuff-drawn/dp/1975613392
Check out Butch's brand-new comic The 3 O'Clock Club from Lion Forge Comics, and be sure to like, subscribe, and follow everything of Butch's below:
Butch Hartman - Facebook | Instagram | Butch's Sketchpad On Instagram | Twitter | Snapchat: @realhartman | YouTube | Speech Bubble | Tumblr | Pinterest
The Noog Network - www.noognetwork.com | Facebook | Instagram | Twitter | Snapchat: @noognetwork | Tumblr | Pinterest
More Nick: Sam Manson: 10 Years Later (Feat. Grey DeLisle) | Danny Phantom | Speech Bubble w/Butch Hartman!
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SpongeBob SquarePants | Krabs Test | Nickelodeon UK
Watch more The Loud House and I Am Frankie, only on Nickelodeon and Nicktoons!
More Nick: Nickelodeon UK To Premiere 'Hunter Street' Season Two On Monday 23rd April 2018!
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Blaze and the Monster Machines | Knight Rider | Nick Jr. UK
When Blaze and Crusher discover a medieval kingdom is holding a royal race, the two trucks become knights in order to compete.
Watch all your favourite Nick Jr. friends everyday on Nick Jr.! For more magical Nick Jr. activities and games visit NickJr.co.uk and download the Nick Jr. Play app!
More Nick: Nick Jr. UK To Premiere 'Top Wing' On Monday 7th May 2018!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nick Jr. UK, Nickelodeon Preschool and Blaze and the Monster Machines News and Highlights!
Watch all your favourite Nick Jr. friends everyday on Nick Jr.! For more magical Nick Jr. activities and games visit NickJr.co.uk and download the Nick Jr. Play app!
More Nick: Nick Jr. UK To Premiere 'Top Wing' On Monday 7th May 2018!
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SNEAK PEEK OF JOJO SIWA'S BRAND NEW SONG 'EVERY GIRL'S A SUPER GIRL'!!! | JoJo Siwa Vlogs [Updated]
I've been working on a really special song called "Every Girl's A Super Girl" in collaboration with Star Stable -- an online, adventure game that is about being yourself and having fun with your friends. AND I have my very own avatar in the game PERFORMING in the disco!!! So cool! Make sure you go on StarStable.com so we can party together!
RAISING A HORSE FOR THE DAY!!! | Its JoJo Siwa
I can't believe I actually had a horse come to my house! It was so fun!!
SURPRISING MY FAMILY WITH A HORSE!! | JoJo Siwa Vlogs
THIS WAS FUN!!!!
More Nick: JoJo Siwa, Zedd, Liam Payne and Flo Rida to Headline Nickelodeon USA's Inaugural 'SlimeFest' Music Festival!
Originally published: Sunday, April 22, 2018.
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Planet Nickelodeon Video Round-Up | NickTube | Monday 23rd April 2018
Check out a selection of video clips featuring your favourite Nickelodeon shows and stars from Nickelodeon channels around the world!
Niek Roozen & Elinho; Jeroen van Holland & De Fruitvlogjes; Niels (Gierige Gasten) en Bo; Petrus & Zola | De Viral Fabriek | Nickelodeon Nederlands
Niek Roozen & Elinho: Hoe dom is Nederland?! | De Viral Fabriek | Nickelodeon Nederlands
Niek Roozen en Elinho hebben een challenge video gemaakt om op een slimme manier zijn kanaal te promoten.
Like de video en comment op YouTube om ze te helpen door te laten gaan naar de Finale!
Jeroen van Holland & De Fruitvlogjes zetten winkelcentrum op z'n kop! | De Viral Fabriek | Nickelodeon Nederlands
Niels (Gierige Gasten) en Bo: Leukste reclame ooit! | De Viral Fabriek | Nickelodeon Nederlands
Niels en Bo maken de leukste reclame ooit voor zijn kanaal "Het Bo Burger initiatief".
Like en comment op YouTube om ze te steunen en door te laten gaan naar de finale!!!
Petrus & Zola: "Zola The Movie" Official Trailer! (maarnietheus) | De Viral Fabriek | Nickelodeon Nederlands
Om Zola te promoten hebben Petrus en Zola in één dag een hele filmtrailer gemaakt van de gekste film OOIT. "Zola de Movie".
Like de video om ze te steunen en hen te helpen door te laten gaan naar de finale!
Meer Nick: Nickelodeon Benelux Debuts 'De Ludwigs - Het Geheim van de Bloedverwanten'!
Additional source: Google Translate.
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Kally´s Mashup | Strong Lyric Video | Nickelodeon Latinoamérica
¡Aprende la letra de Strong, de Kally´s Mashup! ¿Cuál es tu tema favorito? ¡Canta todos con nuestros lyric videos exclusivos!
Más Nick: Nickelodeon Latin America To Premiere 'Oye Arnold! - Una Película en la Jungla' On Thursday 26th April 2018!
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Más Nick: Nickelodeon Latin America To Premiere 'Oye Arnold! - Una Película en la Jungla' On Thursday 26th April 2018!
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Earth Day Tips | Nickelodeon
Happy Earth Day! Here are some tips to take care of Mother Earth 💚
Catch more of your favorite shows on Nickelodeon!
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Catch more of your favorite shows on Nickelodeon!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for all the latest Earth Day on Nickelodeon News and Highlights!
On This Day | Kesha on Victorious | Nickelodeon
On this day (Sunday 22nd April 2018) 7 YEARS AGO, Kesha guest starred on the Victorious episode "Ice Cream for Ke$ha"!:
Watch more Victorious on Nickelodeon!
Check out Nickelodeon's On This Day and Remember When Facebook pages to find out awesome Nick moments from every era throughout Nickelodeon history!
More Nick: Nickelodeon Reveals First-Look At 'Rise Of The Teenage Mutant Ninja Turtles'!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Victorious News and Highlights!
Watch more Victorious on Nickelodeon!
Check out Nickelodeon's On This Day and Remember When Facebook pages to find out awesome Nick moments from every era throughout Nickelodeon history!
More Nick: Nickelodeon Reveals First-Look At 'Rise Of The Teenage Mutant Ninja Turtles'!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Victorious News and Highlights!
Remember When | Getting Old | Rugrats | Nickelodeon
Remember when Angelica voiced everyone's fears about getting old on Rugrats?
Life goal: Learn to juggle as good as Kel can on Kenan & Kel:
Lori Beth Denberg has some more Vital Information for you!:
Think of Reptar every time you leave a room 💡:
Make sure to tune into the Rocko's ODD-ern Life Takeover week, from 11pm ET/PT between Monday 23rd-Sunday 29th April 2018, only on NickSplat! It'll be a HOOT!
Watch all your '90s Nickelodeon favorites on NickSplat, your late-night destination for your favorite childhood Nickelodeon cartoons and live-action shows! NickSplat doesn't question football-shaped heads, but embrace them - along with Reptar bars, a Big Ear of Corn, orange soda, and even slime for Pete (and Pete's) sake. Make your slime-covered Nickelodeon childhood dreams come true every night at 11 PM ET/PT, only on TeenNick USA! #NickSplat!
More Nick: SDCC 'Rocko’s Modern Life: Static Cling' Sneak Peek | Rocko's Modern Life | Nickelodeon!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and NickSplat News and Highlights!
Life goal: Learn to juggle as good as Kel can on Kenan & Kel:
Lori Beth Denberg has some more Vital Information for you!:
Think of Reptar every time you leave a room 💡:
Make sure to tune into the Rocko's ODD-ern Life Takeover week, from 11pm ET/PT between Monday 23rd-Sunday 29th April 2018, only on NickSplat! It'll be a HOOT!
Watch all your '90s Nickelodeon favorites on NickSplat, your late-night destination for your favorite childhood Nickelodeon cartoons and live-action shows! NickSplat doesn't question football-shaped heads, but embrace them - along with Reptar bars, a Big Ear of Corn, orange soda, and even slime for Pete (and Pete's) sake. Make your slime-covered Nickelodeon childhood dreams come true every night at 11 PM ET/PT, only on TeenNick USA! #NickSplat!
More Nick: SDCC 'Rocko’s Modern Life: Static Cling' Sneak Peek | Rocko's Modern Life | Nickelodeon!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and NickSplat News and Highlights!
10 Things You Need To Know About 'SpongeBob SquarePants: The Broadway Musical'
The cast of SpongeBob SquarePants: The Broadway Musical present 10 things you need to know about their smash hit and Tony Award nominated Broadway show!:
Have you ever seen a Krabby Patty dance?
Have you ever seen a Krabby Patty dance?
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