Update (1/8/2019): Production crew are reporting on social media that Nickelodeon today (Tuesday, January 8, 2019) unfortunately halted production of Glitch Techs. The crew were in the midst of production of season two. However, as the show has yet to premiere, Nickelodeon wants to air the show before spending more money on it - even if that means losing the whole crew. Evan Palmer, who broke the news on Twitter, stressed that the show has not been cancelled at this point, just that production has been halted. It has also been revealed that the first season is nearly complete, and it is still set to air during 2019. Following the news breaking, production crew working on Glitch Techs paid tribute to the show on social media. A selection of posts can be read below.
Update (1/10): Eric Robles, the co-creator of Glitch Techs, has reiterated in a post on Instagram that Glitch Techs has NOT been cancelled:
"I want to thank you all for reaching out in support of Dan, myself and the Glitch Techs team. To clear any bad air, please know Glitch Techs is not cancelled. As I write this, we are in production, getting amazing animation back from Europe and Asia. Let me also speak from the heart when I say that Nickelodeon Animation has been nothing but supportive in ensuring Dan and myself the freedom to create an original and unique IP in a time where these types of projects are few and far between. As most of you know, until a show actually airs most studios will only grant a writing pick up for your series and only IF they feel good about the show’s chances. So in our case, we were deeply grateful when Nickelodeon saw fit to pick up an extra half-season production order. This kept our amazing team of artists and designers together longer than we ever could have expected.. As you can guess, producing animated shows, (particularly with ambitious and dynamic action sequences,) can get very expensive. As we hit the new year still being an untested show and with money needed for brand new content, we were told the business decision was for the network to launch our series with 20 gorgeous episodes for you and kids at home to respond to. Although our crew’s abrupt dismissal this past week was a terrible shock, we remain so grateful for the time they were able to devote to our second season episodes. We can only hope that when the show finally airs and reaches its audience, production on the remainder of our half season (and hopefully more,) can resume. As a kid growing up, I always dreamt of working and sharing ideas with people as talented as our crew and now I find myself having had the privilege to work with them every single day for the last two and a half years. I cannot express how much fun it has been to create this show and know it is going to have an impact when we share it with the world. I can’t stress how important it is for our industry to support each other and those who support original ideas. Please keep following me for future updates on Nickelodeon’s Glitch Techs and thank you all for reading this.
~Robles"
Additionally, board artist Phil J. also posted this comment on YouTube about the current production status of the show:
Phil is also answering fan's questions on YouTube!
Update (1/13) - From Cartoon Brew:
Nickelodeon Froze Production, Laid Off Significant Crew On Its Upcoming Series ‘Glitch Techs’
On Monday, Nickelodeon abruptly froze part of the production of its upcoming series Glitch Techs, leading to the immediate layoff of a large percentage of the show’s production crew at Nickelodeon Animation Studios in Burbank, California.
A co-creator of the upcoming series, Dan Milano (Greg the Bunny, Warren the Ape), described the production halt as a “shock” on Twitter, and when artists on the series began speaking on social media about having been laid off with no warning, it led to speculation that the series had been cancelled by the network.
However, that is not the case. The show’s other creator, Eric Robles (Fanboy & Chum Chum), went on social media to clarify that the series is still going forward at Nickelodeon.
According to an Instagram message that Robles posted on Wednesday, Nick still intends to launch a full first season consisting of 20 episodes. “As I write this, we are in production, getting amazing animation back from Europe and Asia,” Robles said. “Let me also speak from the heart when I say that Nickelodeon Animation has been nothing but supportive in ensuring Dan and myself the freedom to create an original and unique IP in a time where these types of projects are few and far between.”
The production freeze happened on a second half-season order of the show, Robles explained, but that will not have an effect on the completion of the first season, which is ongoing. “As most of you know, until a show actually airs most studios will only grant a writing pick up for your series and only IF they feel good about the show’s chances. So in our case, we were deeply grateful when Nickelodeon saw fit to pick up an extra half-season production order. This kept our amazing team of artists and designers together longer than we ever could have expected.”
The laid off artists continue to remain enthusiastic about the future of the show, which follows two kids recruited to battle video game monsters that have found their way into the real world. One production artist on the series who spoke with Cartoon Brew said, “At this point all I can ask for is that we garner as much positive support for the show as possible. I don’t have anything negative to say about Nick — they, along with Eric and Dan, have been as transparent thus far as they are able to be, and have gone to great lengths to care for the Techs team.”
Another artist on the series, Phillip Jacobson, wrote a lengthy public post on a Youtube video, saying, “The network, the show runners, all of us — literally everyone at Nick is SO hyped for this show. I’m telling you, Ian Graham, our SP [supervising producer], worked on Avatar, Korra, Zim, etc- and I can’t quote him directly, but every time there’s a lock animatic screening all he tells me about is how hyped the execs are for this.”
The sudden work stoppage, however, has affected the mood at the rest of the studio and put Nickelodeon employees on edge about the studio’s commitment to original productions.
An artist currently working on another production at the studio told Cartoon Brew, “In the wake of this news, morale at the studio has plummeted. At the past two Townhall meetings we have been told by the higher ups that they want to greenlight productions and they want to put more trust into their shows. Their actions show the complete opposite of this. Letting an entire team of incredible artists go without notice before airing any content is not trusting the production.…Those artists on Glitch Techs were extremely talented and I don’t imagine that talent will be coming back to Nickelodeon. Those are severe consequences especially when trying to compete with power house studios that have talent flocking to them. It is not hard to see, just look at Netflix’s creator line up for animation!”
The current uncertainty at the studio level stems in part from the shifts happening at Viacom, the company’s corporate parent. Though Nickelodeon remains the most-watched children’s network on linear television and generates more revenue than any Viacom property, its ratings have been in perpetual freefall over the last few years as children’s viewing habits shift to streaming providers like Netflix and Google’s Youtube. Recognizing that it could no longer effectively compete with the streamers, Nickelodeon announced last summer a strategic shift to a “studio model,” under which its animation studio would produce new and original content for third-parties like streaming services, in addition to the programs that it already makes for its own network.
Among the first major deals it signed was with competitor Netflix. As part of that deal, Nick has already delivered to Netflix the original production Pinky Malinky, which had originally been slated to air on Nickelodeon when the series was greenlit back in 2015. Nick is also producing a live-action adaptation of Avatar: The Last Airbender for Netflix.
In addition to its experimentation with a studio model strategy, Nick has also overhauled its upper-management team in recent months, appointing both a new president (Brian Robbins) and a new executive v-p of animation production and development (Ramsey Naito).
Below is Robles’ full statement that was published on his Instagram page on January 9:
"I want to thank you all for reaching out in support of Dan, myself and the Glitch Techs team. To clear any bad air, please know Glitch Techs is not cancelled. As I write this, we are in production, getting amazing animation back from Europe and Asia. Let me also speak from the heart when I say that Nickelodeon Animation has been nothing but supportive in ensuring Dan and myself the freedom to create an original and unique IP in a time where these types of projects are few and far between.
As most of you know, until a show actually airs most studios will only grant a writing pick up for your series and only IF they feel good about the show’s chances. So in our case, we were deeply grateful when Nickelodeon saw fit to pick up an extra half-season production order. This kept our amazing team of artists and designers together longer than we ever could have expected..
As you can guess, producing animated shows, (particularly with ambitious and dynamic action sequences,) can get very expensive. As we hit the new year still being an untested show and with money needed for brand new content, we were told the business decision was for the network to launch our series with 20 gorgeous episodes for you and kids at home to respond to.
Although our crew’s abrupt dismissal this past week was a terrible shock, we remain so grateful for the time they were able to devote to our second season episodes. We can only hope that when the show finally airs and reaches its audience, production on the remainder of our half season (and hopefully more,) can resume.
As a kid growing up, I always dreamt of working and sharing ideas with people as talented as our crew and now I find myself having had the privilege to work with them every single day for the last two and a half years. I cannot express how much fun it has been to create this show and know it is going to have an impact when we share it with the world.
I can’t stress how important it is for our industry to support each other and those who support original ideas. Please keep following me for future updates on Nickelodeon’s Glitch Techs and thank you all for reading this.
Eric “El Glitch Tech” Robles!"
###
RESPECT THE TECH! - High Five
When game consoles “glitch” and release video game creatures into your town, the Hinobi company detects the problem and dispatches the GLITCH TECHS! Suited up with an arsenal of fantastic gamer gear, their job is to wrangle the pests and “reformat” any witnesses!
Something Glitchy This Way Comes.. Eric Robles, the co-creator of Glitch Techs has announced the exciting news in a post on Instagram that Nickelodeon is planning to premiere the network's brand-new animated series, an adventure-comedy following two newly recruited kids as they battle video game monsters that come to life in the real world, in 2019! Eric also revealed that Nick may be planning to air a super sneak-peek of Glitch Techs in 2018! To celebrate the upcoming launch of Glitch Techs, Eric shared some awesome art featuring a few of the special lighting color scripts from the show directed by Scott Kikuta! Check out Eric's post and Scott's amazing artwork below!:
Glitch Techs (working title) is an adventure-comedy following two newly recruited kids as they battle video game monsters that come to life in the real world. The series comes from Eric Robles (Fanboy & Chum Chum, The X's, Ni Hao, Kai-Lan) and Dan Milano (Greg the Bunny, Warren the Ape), both hailing from Nickelodeon's Artist Collective, an internal artist-led development program, and is being produced at the Nickelodeon Animation Studio in Burbank, Calif. Nickelodeon has picked-up Glitch Techs for an initial 20-episode first season.
Glitch Techs will boast a multi-ethnic cast, including a Muslim-American female character who will wear a hijab. At a industry panel held late last year, the co-creators explained that when they were developing Glitch Techs, they “recognized the need to incorporate characters reflective of the viewing audience, whether they are background characters or main characters,” and revealed that they had worked with MPAC (Muslim Public Affairs Council) to “figure out how to accurately display an authenticity, even down to little behaviors.” Dan Milano further elaborated, “Even though we’re an animated show and they are trying to catch creatures, we want small things. We want to know that a stray hair came out of that hijab, and she had to tuck it behind her ear because that’s a human moment, that’s a practical moment, from everyday life.”
It was recently announced that Emmy-award winning actor Bryton James (Winx Club, The Young and the Restless) will be voicing a character in Nickelodeon Glitch Techs.
Update (1/27/19):
Update (11/12): To celebrate the show, Nickelodeon Animation has made these awesome Glitch Techs t-shirts, featuring the official Glitch Techs logo, for the brand-new show's production crew!:
Update (10/7): Eric Robles has unveiled the final Glitch Techs logo that will be used in the series, as well as more sneak-peeks from the show!:
More Nick: Nickelodeon's 'Glitch Techs' To Star A Multiethnic Cast!
Glitch Techs Production Halted
So bad news, Glitch Techs got shut down today. A lot of the most talented people I’ve ever worked with are gonna be looking for new gigs. Here’s my portfolio, I’d appreciate a share! https://t.co/RMyrlRfoJ9
— Evan Palmer (@evantickles) January 8, 2019
When the show drops, y’all are gonna flip. The boarding, color and *ahem* design are all top notch. It looks 10x more expensive than your average show.
— Evan Palmer (@evantickles) January 8, 2019
I don’t want to speculate why we got the axe. We have more than a full season in the can and it will air sometime this year. We’re gonna need you guys to watch it and let the network know original properties are worth investing in.
— Evan Palmer (@evantickles) January 8, 2019
And I learned so much! It pushed me in my posing and shape language for action. I’m really proud of it. I feel so much more confident as a designer and feel like I could jump onto anything next and be fine.
— Evan Palmer (@evantickles) January 8, 2019
It’s still gonna air sometime this year, it wasn’t all for nothing! Your work will definitely pay off!
— Evan Palmer (@evantickles) January 8, 2019
I’m animating on GT s1 right now and I feel sorry for you guys. This was probably the craziest show I’ve worked on and the most I’ve been pushed and I’m completely loving it. I guess you guys havening finished boarding what you were doing, and I for one am super sorry
— Paolo Garcia (@silbrandir) January 8, 2019
The biggest bummer is that for now all I have is words. Eventually you’ll see it and then you’ll get what I’m talking about.
— Evan Palmer (@evantickles) January 8, 2019
Goodbye drinks with the Glitch Techs crew. We’re still a little baffled. Stay tuned for it in the future and give it a watch for us. I drew this pose of our two main characters a while back and I love seeing everyone add their own sketches. pic.twitter.com/jECQX5s9ts
— Evan Palmer (@evantickles) January 8, 2019
Hey guys! I know I don't post on here but I hope people viewing the #glitchtechs and #nickelodeon tags see that Glitch Techs is NOT CANCELLED! It's true, production on S2 was halted, but the show is still set to premiere in 2019 and we'd LOVE you to tune in! (1/2)
— Phil Jacobson (@OffBrandLink) January 8, 2019
I've had the pleasure of working on glitch for 2 and a half years now, and I know you're all going to love it. We really poured our hearts into this one. Stay tuned and give it a watch, so that Nickelodeon sees how much you want more Glitch Techs goodness <3
— Phil Jacobson (@OffBrandLink) January 8, 2019
W H A T!?!?!??!!?!! OH NO OH NO OH NO!!!!!! This show is BRILLIANT!!!!!! I’ve had the pleasure of working on it in various capacities & honestly I think it’s going to be HUGE - wtf!???? I’m sorry @DanMilano & the whole staff!!!ππππππππππππππππππππππ https://t.co/6r8KNWdyRa
— AJ LoCascio π𧑠(@AJLoCascio) January 8, 2019
Originally published: Sunday, September 02, 2018.
Additional sources: Anime Superhero Forum members @jaylop97 and @Elijah Abrams (II), @PinkiePie97, @ToonJay723 (II), @SweetShop209, @Daikun (II).
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